By Meaghan Charlton
Pink, cat-ear hats emerged as the symbol of the Women’s March on Washington through the Pussyhat Project. In response, some have suggested that the pink hats might be a goofy distraction to the women’s rights movement or a visual that problematically reduces femininity to biological characteristics. However, approaching the pink hat initiative from this angle neglects to recognize knitting’s long-standing deployment as a social movement and solidarity-building tactic, , its inclusivity of disabled, caretaker, and LGBTQ populations, and the reclaiming function the pink hat project embodies.
By Eric C. Vorst
The 2016 American Political Science Association annual meeting in Philadelphia was a great place to highlight new research, to learn from our peers, and to make new professional connections. It also provided an exciting opportunity to gain new insight into how networks of discussion evolve in real time over the duration of a major academic conference. Data mining software, content analysis, and social network visualization tools were used to observe how communities of discussion evolved as the conference unfolded, to identify the emergence of key themes, and to map the extent to which these themes reached different communities within the network. Ultimately, this project helps to provide a unique insight into what political scientists talk about during a political science convention.
By William J. Kelleher
Several recent news articles, including one from The New York Times and The Atlantic, offer up an explanation for why 53% of white women voters voted for Donald Trump, despite the disrespect he has shown for women, particularly white women. For example, The New York Times article presents political scientist Kathleen Dolan’s explanation of this political behavior. That explanation can be stated in the form of this syllogism:
Empirical studies show that
- A) voters generally tend to vote according to their party identification, and that
- B) a majority of white women identify with the Republican Party;
- C) therefore, a majority of white women voted for Trump rather than Clinton.
This “explanation” has the virtue of being relatively straight forward insofar as it consists of explicit inferences drawn from accepted facts. But I’m not satisfied with the explanation given. The implication that party ID caused the voting results seems overly mechanistic, shallow, and insufficient. I still want to know why so many white women voters voted for Donald Trump.
By Steven White
Civil rights advocates frequently work in the context of unfavorable public opinion among white Americans. For example, attitudes towards the Black Lives Matter movement remain strikingly racially polarized, with whites generally much less supportive of the movement than African Americans, even in the presence of video evidence of police misconduct. Such attitudes can be difficult to change. What, then, does it take to radically alter white racial attitudes? And what might civil rights advocates do if negative white attitudes toward the Black Lives Matter movement remain unchanged?
By Stephanie J. Silverman
This month saw France violently demolish the migrant settlement known as The Jungle. Situated on the shores of Calais, facing the Cliffs of Dover, the camp had become home to between 7,000 – 10,000 mostly African, Middle Eastern, and Southern Asian people, including men, women, families, and unaccompanied children. Despite its being physically wiped away, The Jungle remains a symbol of Europe’s failure to deal humanely with African and Middle Eastern asylum seekers.
By Meredith Conroy and Caroline Heldman
Two weeks ago, the guerilla art collective Indecline unveiled a series of statues featuring a naked Donald Trump in New York City, Cleveland, San Francisco, Los Angeles, and Seattle. Indecline entitled the installation “The Emperor Has No Balls” in reference to Hans Christian Andersen’s “The Emperor’s New Clothes.” Andersen’s parable is about a vain emperor who is duped into parading around naked by two weavers who convince the leader his suit is only invisible to those who are incompetent or unfit for their positions. No one dares to call out the naked emperor until a child cries out that he has no clothes.
A multitude of meanings could be drawn from the statue, and many have already criticized the Indecline installation for being fat shaming and transphobic. Our critique lies in the most obvious of Indecline’s statements—an assault on Trump’s masculinity. The artist created statues with no balls and a very small penis; a trimming of Trump’s “manhood.”
The problem with this seemingly radical installation is the underlying theme that feminized men are less fit to lead. That Trump is without his balls unwittingly elevates masculinity in the presidential contest at the expense of femininity. This is certainly not the first time this message has circulated in presidential politics, and these messages incentivize both men and women to take on more masculine behaviors and positions, which limit political diversity and representation.